2009 Prompt: Social Issues


2009, Form B. Many works of literature deal with political or social issues. Choose a novel or play that focuses on a political or social issue. Then write an essay in which you analyze how the author uses literary elements to explore this issue and explain how the issue contributes to the meaning of the work as a whole. Do not merely summarize the plot.

The entirety of Orhan Pamuk’s My Name Is Red is spent discussing one of the greatest social issues in history: the clash of cultures. Pamuk spends the entire story exploring and discussing the perspectives of the two sides. The cause of murder and intrigue, this clash of culture is extremely relevant to the modern world and therefore a great choice for this prompt.


Outline:
1.       Identify and describe the social issue
a.       Clash of cultures: new vs. old
b.       The Book of Festivities – question of style (traditional or Western?)
2.       Literary elements
a.       Makes extensive use of allusions to other works of Islamic art and literature
                                                               i.      Allusions to books (Hüsrev and Shirin), history (Shah Tamasp), and art (Bihzad)
b.       Anecdotes told from many different characters and perspectives
                                                               i.      Miniaturists: Stork, Olive, Butterfly, Osman (perspective from artists)
                                                              ii.      Storyteller: Dog, Coin, Death, Devil, Horse, etc (perspective from common people)
3.       Contribution to overall meaning
a.       Explores the different perspectives of the universal struggle of identification and belonging
b.       Seeks to create understanding between groups


1. Describe the social issue
The clash of culture in the novel is the clash between the traditional Islamic cultures of the Ottomans and the growing Renaissance of Italy.

In particular, the main issue surrounding the intrigue at court is the controversy of The Book of Festivities commissioned by the Sultan, where the illustrations would be done in the style of the Renaissance instead of the traditional illuminations. This, of course, is incredibly scandalous and is the cause of the conflicts that led to the murders of two skilled illuminators.

2. Literary elements
In discussing the social issue of culture clash, Pamuk makes extensive use of allusions to other works of Islamic art and literature. In almost every chapter, especially chapters narrated by the Ottoman miniaturists, allusions to books such as Hüsrev and Shirin and The Book of Souls provide deeper insight into Islamic religion and philosophy. We can see this especially from the relationship between Black and Shekure, where Hüsrev and Shirin is mentioned numerous times throughout the novel. For example, Black compared his love to Shekure when she became “stricken with love upon gazing at Hüsrev’s image” (Pamuk 82), indicating how much importance and power Ottoman miniaturists place on paintings.

Anecdotes also abound throughout the novel, narrated by characters such as Enishte Effendi, Master Osman, and the storyteller at the coffeehouse. In particular, the most important anecdotes that we saw are told from the miniaturists’ point of view. Stork, Butterfly, and Olive all told their stories on style, time, and blindness in the viewpoints of the Ottoman masters of illumination, as an answer to Black’s investigation of the murder. These anecdotes all show the traditional point of view of the world, that a perfect picture is without style or signature, that eternity lies in the appreciation of art, and that blindness is to see the world as Allah intended. Apart from the miniaturists, however, Pamuk also presented the novel through the point of view of a storyteller in a coffeehouse, who represents the common people in opposition to traditions. Through the stories of the dog, horse, devil, death, and others, the storyteller ridiculed the current situation and traditions.

3. Contribution to overall meaning
The allusions and anecdotes all serve to explore the different perspectives of the universal struggle of identification and belonging. These can also be applied to modern-day clashes between local cultures and global progress.
The anecdotes and allusions seek to find some understanding between the two groups, especially the more traditional and conservative party, since most of the explaining is done by the miniaturists of the Sultan’s court.

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